İngilizce-Türkçe-Almanca sözlük

1. i. ima edilen fikir. ima edilen fikir. ima edilen fikir. i. ima edilen fikir. armonik ses, ardında yatan anlam, ima edilen fikir, ikinci plândaki renk.
2.  göze batan ton/yüksek ton, ima edilen fikir; boyalı bir yüzeyin yansıttığı ışığın rengi; i, müz, armonik seslerden biri.
3. müzik: ahenk / uyum noktası. sezinlenen şey.
4. ima edilen fikir.

1. harmonic, secondary tone which is higher than the primary or fundamental tone (Music); something which is subtly suggested, subtle implication, connotation.
2. One of the harmonics faintly heard with and above a tone as it dies away, produced by some aliquot portion of the vibrating sting or column of air which yields the fundamental tone; one of the natural harmonic scale of tones, as the octave, twelfth, fifteenth, etc.; an aliquot or "partial" tone; a harmonic.
3. See Harmonic, and Tone. a harmonic with a frequency that is a multiple of the fundamental frequency an ulterior implicit meaning or quality; "overtones of despair".
4. If something has overtones of a particular thing or quality, it suggests that thing or quality but does not openly express it. It's a quite profound story, with powerful religious overtones. In acoustics, a faint higher tone contained within almost any musical tone. A body producing a musical pitch such as a taut string or a column of air within the tubular body of a wind instrument vibrates not only as a unit but simultaneously also in sections, resulting in the presence of a series of overtones within the fundamental tone (i.e., the one identified as the actual pitch). Harmonics are a series of overtones resulting when the partial vibrations are of equal sections (e.g., halves, thirds, fourths). Partials are nonharmonic overtones that is, tones the frequencies of which lie outside the harmonic series. Overtones contribute greatly to the timbre of a given sound source, even though few listeners are aware of hearing any pitch except the fundamental. There are a few rare examples of the human voice creating overtones, notably in the chants of the Tibetan monks and the songs of the Tuvan throat singers. The latter can sometimes produce two overtones.